Demon 😈 Time: The Satanic Music 🎶 Industry!!!
Do Demons Rule The Airwaves!?!?
First Name Tom, Last Name Foolery… And I’m Everybody’s Uncle!
Especially this group of individuals… The Innocent People of the World.
If you believe that the music & entertainment industry is there simply to entertain us & make money in the process for its artists, promoters & producers, please think again.
Popular music especially & its highly-paid exponents are merely pawns of the Elite & are there in order to further manipulate our minds – especially those of impressionable youth & now even young children.
There is a long history of manipulation in the music industry, going back many, many years. The music ‘business’ itself has actually been around since medieval times but can only be referred to as a true ‘industry’ since the early nineteenth century with the simultaneous developments of the orchestra, the employment of conductors & certain publishing & printing innovations that allowed music to be easily transcribed, passed-on from person to person & to be sold as sheet music.
In the early eighteenth century, there is recorded to have been around 8500 composers of music in Europe alone & yet around 8400 of them, despite the fact that their music may have been brilliant or innovative, have never had their music extensively published or played, other than in small, localized concert halls & much of it is today now long forgotten, lost or deliberately buried. Why should this be? Mainly because, as today, the music industry then had its favorites & certain personalities including the likes of Mozart, who whilst feted as a celebrity of his time, probably did not compose much of the music attributed to him then & since.
Mozart was simply a manufactured ‘focal point’ in effect, upon which the money-interests of the music business of the time could focus & from whom it could derive its profits, as was Beethoven. This may well sound cynical & possibly unbelievable, but I can assure you that it is true. How similar to today then? Today’s music industry is rife with such characters, people who have been chosen & indeed ‘created’ to be focal points & the personalities, celebrities if you will, who carry the burden of providing profits for an intensely money-focused industry, ultimately regardless of the degree of talent they may or may not possess.
Musical history does not wish us to be aware of this fact; it just wishes to continue to promote the popular icons of the day, focusing on an artificially generated, elite group of composers who with the passage of time have been placed on pedestals & thus made immortal, just as many famous rock stars have been made the ‘saints’ of the new religion that is music, today.
The involvement of occultists in the creation of the ‘superstars’ of their day, such as Mozart, Beethoven & Haydn, cannot be ignored. Indeed, the occult influence in music has always been a factor & today is absolutely rife throughout the whole of the music industry.
There is also a long history of connectivity from music to mind control going back to the 1950s when ‘pop music’ in its present form was first pushed upon an unsuspecting world by the mass-manipulators of the Frankfurt School & the Tavistock Institute & many performers, singers & members of bands are manipulated into promoting a satanic agenda by recording labels & producers who are also ‘up to their eyes’ in the deadly scheme. Is it at all artistic for people to sing about pain, suffering, death, sadness & despair in such quantities & who would want to taint the formerly beautiful art of music with such things? It is actually an essential aspect of the latter-day degeneration of music & the lowering of consciousness. This works in the same vein as film & television programs that seem to have now evolved into excessively depressing and/or violent experiences for the viewer, even for very young children who are being increasingly exposed to overt sex & violence & when those few who still actually care about such things complain or point it out they are often labelled as a ‘prude’ or ‘old-fashioned’. Often today music is excessively depressing, replete with songs contain lyrics extolling the virtues of extreme selfishness, greed, violence, death, suicide & murder. And this is not just in heavy metal (the previous chief culprit) any longer but has now been expanded to all forms of modern music even the ‘middle of the road’ ballads aimed at the younger, more impressionable generation. Even fun ‘children’s’ pop music, the likes of which our children & grandchildren listen to all the time, is not immune & is often riddled with overt, sexually explicit & satanic & occult lyrics.
Interestingly, a huge number of artists have commented publicly & even composed songs about literally ‘selling their souls’ to the devil to further their musical careers. Many well-known rock artists are well-versed in the occult & are aware that spiritual entities & multidimensional demons can manifest themself through music of a lower vibrational nature. They have admitted that they use rock music & the rhythms, the lower guttural tones, & their insidious lyrics to lower the vibrational levels of concerts & thus their attendees. They have also even admitted countless times that they are possessed by their own music & have little control over where these vibrations lead them. This is typical of almost any satanic ‘ritual’ or practice; the lowering of consciousness & allowing lower vibrational entities to control a person. These practices often lead to complete loss of control & it was well known to the people at the last Woodstock anniversary concert that a form of ‘bad energy’ had manifested itself throughout the huge audience following many hours & days of extremely heavy, depressive & violent songs.
This information emanates from many sources; there have been many books written & several films made on the subject & many well-known artists have been exposed & even admitted themselves that this is taking place. However, the idea that rock music is a tool of the ‘devil’ has been pushed so relentlessly by religious leaders & evangelists that people are now more often likely to laugh at or mock the idea, rather than take it seriously. Nevertheless, well-known musicians are often reported as admitting to the practice of Satanism & their friends or colleagues will often mention that they have multiple personalities & that ‘what you see on the stage is not really that person’.
Unfortunately, rock & pop music has become mostly a grossly degenerative art form. Some musicians are exempt from this tag, but the music industry contributes to this view generally by actually enhancing & promoting the popularity of the ‘heaviest’ bands or the most emotionally depressing artists. The rock music of today is several magnitudes darker & more depressing than Led Zeppelin, Black Sabbath & other well-known ‘devil-rockers’ of past decades & at the time these bands were considered the very epitome of evil by the deeply religious. Heavy metal music has now become almost completely demonic per se & many performers revel in this fact, openly flaunting it. It is devolution of society & the art of music for the purpose of lowering the vibration of the consciousness in order to manipulate the youth of today into fulfilling the purposes of the Elite. It is, in short, the next baby-step on the road to the complete undermining of human society & the human psyche in order to exert control over minds.
As I say, many artists are aware of this & some became aware of the fact that they have been manipulated by the music industry or began to recollect memories of their brainwashing, either through the military or through ‘handlers’ who often happen to be their manager. These are often the artists we know to have so famously died by ‘drug overdose’ or have suffered other strange deaths. Many of these artists have either confided before their deaths in individuals who would later relay this information to those behind the scenes in the music industry or indeed may even ‘go public’ with their knowledge as did Michael Jackson shortly before his untimely demise at the hands of his ‘doctor’. Jackson had been telling anyone & everyone during the period prior to his death that the CEO of Sony, Tommy Mottola (who by the way virtually owned Jackson body & soul, if not actually literally) was ‘the devil incarnate’. A metaphor or figure of speech? Maybe, maybe not.
The deeper that one delves into this murky pit, the more one realizes that the ‘musical greats’ are often occultists with exceptional talent & who are intentionally using that talent to manipulate the consciousness of listeners. However, I also believe that many of the ‘household-name’ musicians early in their careers are lured into a subtle trap baited with money & fame but then once their handlers in the recording companies completely sink their claws & teeth into them, they realize that they are caught, with no possible escape route & thus are condemned to continue with their charade for the rest of their careers, which often ends prematurely for one reason or another. The premature end to musical careers can & does occur for several reasons. Obviously, there are some genuine cases of accidental drug overdoses, but I am equally sure that some of these are murders & some suicides. But in any case we should also then ask the question as to why drug overdose & suicide (murder?) is so prevalent among this group of people?
There is so much information on this topic that could be included, that to do it justice would really justify a book in its own right. The number of examples of the satanic nature of the entertainment business is truly staggering & so we will concentrate on a few specific examples & events, but please bear in mind that this is only the tiniest sliver of ice on top of the very tip of an extremely large iceberg.
Premature death seems to be an occupational hazard amongst so-called celebrities in all fields. Again there are many reasons for this, some of them even genuine ones, but there are also many suspicious ones, some of them extremely suspicious bordering on the blatantly obvious. As stated above, Michael Jackson would fall neatly into that particular category, as would Whitney Houston who died shortly before my writing of this article in early 2012 & as the most recent incidents tend to be the ones that are freshest in the mind, let us concentrate on that particular one.
“It’s a very predictable pattern that happens with all famous artists. They become valuable commodities. If they were shares, you would see Bay Street buying them up & fundamentally, it’s the realization that it’s the end of the artist’s productivity, that they won’t produce anything more that sparks the buying frenzy., Theo Peridis, professor of strategic management at York University
Regarding Whitney Houston’s sad demise (11th February 2012) & as with any other recently deceased ‘megastar’, it is a fact that the record company stood to gain massively in terms of vastly increased sales, albeit short-term. However how much better for them to have a short, one-off major boost than a long, lingering virtually profit-less demise to any artist’s career?
The 2012 Grammy Awards took place shortly after the sudden, mysterious death of Whitney Houston. As the old tradition would have it, the show went on nevertheless, but not without an abundance of strange symbolism & ritualism that made it extremely clear that there is a definite ‘dark side’ to the entertainment business.
Upon retrospective analysis of the facts surrounding Whitney Houston’s death coupled with the symbolic elements of the 2012 Grammy awards, the entire event has the look & feel of an occult ritual, complete with a blood sacrifice, a celebration & even a ‘re-birth’. Some of the things described below were pre-planned, while others were possibly just odd coincidences. Let us now examine the most significant events that happened during the fateful weekend of Houston’s death.
Whitney Houston’s untimely death is strikingly similar to many other celebrity ‘sacrifices’. Accounts of strange events before the death, the bizarre behavior of the so-called authorities when the death was discovered, conflicting reports, the vagueness surrounding the cause of the death & last but not least, a typical response from the music industry via the Grammys ‘ceremony’. Her case indeed followed the same pattern as several other celebrity deaths that were blamed on drug excesses, despite much conflicting, albeit circumstantial evidence to the contrary. As was the case for other celebrities, the controlled media almost immediately began a campaign depicting Whitney as a hopeless drug addict. Maybe she was a drug addict, but if so, that is probably just a convenient side-issue, a symptom of the true killer of Whitney, ie. the much-vaunted entertainment industry itself.
As with the recent cases of Michael Jackson, Amy Winehouse, Heath Ledger, Brittany Murphy & many others too numerous to mention, going back through the years, bizarre events both preceded & followed the death of Whitney Houston & after even a cursory examination of those events, it is impossible not to ponder as to whether her death (and the others) was truly an accident, or a deliberate ‘sacrifice’ planned & undertaken by hidden hands? The majority of mainstream media sources have emphasized the drugs connection ad nauseum but several, more reliable sources have revealed other details that may provide evidence for an alternative view of the situation.
At the Beverley Hilton where Whitney Houston died, in the ballroom several floors below her suite of rooms at the time of her death, there was a ‘pre-Grammys’ party in full swing. As the news broke regarding her death, Whitney was still lying there in her room in her fourth-floor suite. She had been discovered dead in her bath, but it is unclear exactly by whom as there were several people in her suite at that time (3.50pm local time). Her body was not moved out until shortly before the party ended around midnight.
What has not been made public (at least in the mainstream) is that at around 11pm, paramedics were called again & security services & police also rushed to the scene & a medical-type wheelchair with restraints was also wheeled-in as Whitney’s daughter Bobbi Kristina had become hysterical & paramedics were on the point of removing her to the hospital. Why should this happen, at least seven hours after Whitney’s death? Very strange indeed.
Also, at 2.30am during the night immediately preceding Whitney’s death, a man in a 3rd floor room immediately beneath her suite complained that water was cascading into his room from above. This was no mere trickle this was a full-blown gushing of water. He called security & accompanied them upstairs to see for himself what on earth was going-on. According to this man, it was the bathtub that was overflowing but he noticed that a large-screen television had also been smashed.
Significant or not, neither of these incidents were reported by the mainstream media at the time or as far as I know, since the event & from an organization that usually picks-up on the most trivial of incidents & blows them out of all proportion, I have to say I find that fact more than a little strange, to say the least.
So as it turned-out then, there was a party in full swing going on three floors below Whitney’s body whilst it just lay there for hours on end. Is this not more than a little distasteful especially given the fact that many of the attendees were Whitney’s close colleagues & friends & acquaintances in the music business? Why was it not simply cancelled out of respect for her death or was there some kind of warped thrill to be had in partying-on below the dead body? Could it even have been part of some sick ritual or ceremony? It would not surprise me in the least, given the track record of these people.
Immediately before Whitney’s death, in another strange occurrence, she had been seen fraternizing with a person who had also been hanging around Michael Jackson through his last few months alive & in the hours leading up to his death. This man goes by the name of Raffles van Exel (a pseudonym if ever I heard one). He apparently is from Amsterdam in Holland & has also been known to use the aliases of Raffles Dawson & Raffles Benson. He was present in Whitney’s suite of rooms at the time of her demise & apparently appeared downstairs in the hotel lobby shortly thereafter wearing aviator-type sunglasses & ostentatiously weeping & wailing. His usual entourage was there with him, including Quinton Aaron, a Hollywood B-grade movie actor & despite his terrible shock at Whitney’s death he still somehow managed to force himself to attend the party in the ballroom. He was bearing Whitney’s entry ticket in his hand when he entered the room to what was apparently an outpouring of sympathy, but obviously not enough sympathy to actually halt the party.
A security guard confirmed that Exel had been hanging around Whitney for a few days & was actually pictured standing behind her as she emerged from a nightclub earlier that week, looking confused & disorientated. So who really is this Exel character? He apparently was to be seen hanging around Michael Jackson & his family & friends during Jackson’s child molestation trial also. No-one really seems to know who he is for sure, but he is often seen & pictured around celebrities.
Exel claims to own several companies including Raffles Entertainment & also claims to be the manager of Chaka Khan. There are a multitude of photos of him on the Internet posing with almost everyone who is anyone. He apparently does not respond to any emails or phone messages to his published contact points & thus very much remains the archetypal ‘mystery man’.
So, was Exel an instrumental part in Whitney’s death in any way & had she become persona non gratis to the Elite’s music industry in some way? Was she becoming ‘out of control’ or ‘losing’ her programming perhaps? It has been reported that she had had premonitions about her own demise (where have we heard this before?) & shortly before her death she allegedly passed a note to her friend, the singer, Brandy who flatly refused to reveal its contents, other than to ambiguously state that ‘Whitney meant everything to me. She’s the reason that I sing’.
There is also an occult/numerology connection to Houston’s death, in this case a connection with the number 11. In occult rites the number 11 is a master number as it cannot be reduced & because it exceeds the number 10 (regarded as perfection) by 1, it is also linked to black magic & ‘bad vibrations’. Kabbalists tend to associate this number with transgression of the law, sorcery & possibly significantly, martyrdom.
It is also linked to sacrifice. For example, 9/11, the twin towers looked like a large number 11 & Remembrance/Veterans Day the 11/11 at the 11th hour. There is yet another link to consider & that is concerning Lady Gaga (another mind-controlled MK Ultra slave) & previous Grammy awards ceremonies. Gaga had close links to the fashion designer, Alexander MacQueen who was strongly involved with the occult & mind control & who himself died on the 11th February 2010, exactly two years to the day before Houston. Could it also be significant that Whitney Houston’s room number the day that she died, was 434 which in numerology equates to 4+3+4 =11. Again, certainly food for thought.
At the Grammy awards ceremony in 2011, Lady Gaga said, “I need to thank Whitney Houston. I wanted to thank Whitney, because when I wrote ‘Born this Way’, I imagined she was singing it because I wasn’t secure enough in myself to imagine I was a superstar. So, Whitney, I imagined you were singing ‘Born This Way’ when I wrote it.”
‘Born this Way’, surprise of surprises was released on the 11th February 2011, exactly one year to the day before Whitney’s death. Significant? Most certainly, I would venture to suggest. It is highly likely that Gaga (or more likely her controllers) in conjunction with Houston’s, planned it all very carefully. Gaga’s outfit for the 2012 awards was all-black, possibly symbolically signifying death?
Celine Dion was extraordinarily quick in apportioning the blame for Whitney’s death. During a TV interview shortly after the event, she blamed the bad influence of the industry & even stated the need to be ‘afraid’ of it & its over-reaching influence.
“It’s just really unfortunate that drugs, bad people or bad influence took over. It took over her dreams. It took over her love & motherhood. When you think about Elvis Presley & Marilyn Monroe & Michael Jackson & Amy Winehouse, to get into drugs like that, for whatever reason, is it because of the stress & bad influence? What happens when you have everything? What happens when you have love, support, the family, motherhood? You have responsibilities of a mother & then something happens & it destroys everything. That’s why I don’t do parties & I don’t hang out. That’s why I’m not part of show business. We have to be afraid. I’ve always said you have to have fun & do music & you can never be part of show business because you don’t know what it’s going to get you into. You have to do your work & get out of there.” Celine Dion
“I think we all, as artists, because we’re highly sensitive people & this machine around us, this so-called ‘music industry,’ is such a demonic thing. It sacrifices people’s lives & their essences at the drop of a dime … I had a manager once say to me, ‘You know you’re worth more money dead than alive’.” Chaka Khan
Are Chaka Khan’s references to ‘demonic’ & ‘sacrifices’, to be taken literally? Judging by the symbolism at the Grammy awards & the strangeness surrounding Whitney Houston’s death & that of many others down the years, it would certainly appear so.
Please understand however that the above events are just one example & one tiny pinprick on the finger-tip of the very large body of evidence linking show business to the satanic arts. Many, many artistes are said to be involved in this whole charade, many knowingly but nevertheless unable to escape its clutches for fear of the Michael Jackson / Whitney Houston experience befalling them & many unknowingly through subtle mind-control techniques as described previously in this book.
The presence of occult, satanic & Illuminati/freemasonic symbolism throughout the whole entertainment industry is rife, to say the very least.
During the 1950s & 60s, occult practices were slowly but surely absorbed into popular music & today the industry literally thrives by using an outward spectacle of occult & satanic rituals & symbolism. The entire music & entertainment industry is an important indoctrination tool used by & for the Elite & many musicians are introduced to Satanism & occultism. Today, the most popular musicians, such as for example, Lady Gaga & Britney Spears are totally controlled by the occult & the music industry & Hollywood are fixated by Black Magic & Witchcraft. Music has always been associated with the occult & can be effectively used as a tool for programming minds.
Satanism & the occult are also known to specifically extract energy from humans who are manipulated into trances. Throughout the twentieth century & now into the twenty-first, music has been manipulated from its initial state of innocence, goodness & wholesomeness to become in many cases, downright vile & nasty. Throughout the world many people, especially the 10-30 age range are listening to vacuous, emotionally-numbing & trance-inducing negatively-vibrational music & demonic lyrics, which at one time were uniquely present within heavy metal rock, but now seem to emanate from & be present in all genres.
‘Rock & Roll’ originally emerged as a defined musical style in the United States in the early to mid-1950s. It is descended directly from the rhythm & blues music of the 1940s, which itself developed from earlier blues, jazz & swing music & was also influenced by gospel, country & western & traditional folk music. Rock & Roll in turn gave birth to ‘rock music’ in general & over the last fifty years the individual musical genres have expanded greatly, presumably in order to cater for everyone’s individual tastes & ensure that no-one escapes the net.
It is extremely important to identify which types of music are harmful to the human psyche & which are negative. The vast majority of pre-1950s music calibrates in our consciousness as positive & positive consciousness in turn creates high levels of confidence & a healthy self-esteem. This cannot be said however of a vast majority of post 1950s music, especially from the 1980s onwards. Its insidious influence on our psyches has no doubt left its mark on us all to a greater or lesser degree & there is no doubt that certain songs, artists & lyrics contribute in some way, however large or small, to the huge increase in suicide among the under 25 age groups, which stands at record levels & is no doubt welcomed enthusiastically by the Elite in line with their stated policy of huge population reduction.
Indeed, music has a very strong, very definite physiological & psychological effect on people, especially the more impressionable among us. Disharmonic, discordant & cacophonic music engenders a number of negative behaviors, although those affected are often unaware of the extreme effect it is having upon them.
When Mick Jagger of The Rolling Stones wrote the song ‘Sympathy for the Devil’, in the 1960s, this was one of the first examples of Satanism in rock music. To many observers, the occult & Satanism began to expand its influence through such bands as Led Zeppelin & even the Eagles a band which is generally regarded as being ‘soft’ rock oriented. And so the Elite now performs its satanic rituals upon us all, via our favorite musicians & through all the dozens of pop music TV channels that exist today & also their contrived, highly ritualistic awards ceremonies in front of millions of deluded viewers.
The American researcher & author, David McGowan in his serialized Internet story, ‘The Strange Story of Laurel Canyon’, relates how most of the popular musicians & entertainers in the 1960s had some connection to the American military & thus to the myriad of intelligence networks. He tells the totally credible story of how these artists were ‘artificially’ brought to prominence at this time & describes the strange goings-on around the music scene in those days & the insidious influence that these people & their suspect connections had on the music of that period & henceforward from that time.
In 1985, the New Solidarity newspaper, which has since been closed-down by the US federal government, conducted an interview with Hezekiah Ben Aaron, who at the time was the third-ranking member of the Church of Satan. In this interview, Aaron revealed that it was his ‘Church’ that started such heavy-metal genre rock groups as Black Sabbath, The Blue Oyster Cult & many others. The Church of Satan was then headed by its high priest, Anton LaVey but many people believe that LaVey, was just a front man for the real high priest, Kenneth Anger, the man who had been responsible for introducing the Rolling Stones to the occult.
It is a fact that the human brain thinks at a rate of approximately eight thoughts per second & that the eyes see 20 to 30 separate actions per second, but the brain only uses eight of these to send to the conscious mind. The subconscious absorbs the rest, subliminally & indiscriminately.
However, most live musical performances incorporate video screens with their music at 30 frames per second at the standard American television resolution, but they color eight of the 30 frames differently. They choose which ones we think consciously about & which are just subconsciously absorbed as programming. Hollywood has used this trick, invented originally by Disney, for many years. It is now illegal in television commercials & regarded as subliminal advertising, which, as most people know is an extremely powerful conditioning tool.
The ‘eight per second’ frequency is also used by bass tones or bass drums or lights or all together, in a concert or live-show setting and this has the same effect upon the brain as does hypnosis. That is it fragments analytical thoughts so that certain mispronounced or difficult to understand lyrics are immediately absorbed by the subconscious mind. If we then add in a mix of illegal drugs & fake (or even real) sacrificial blood, create a circle with a pentagram using the stage lights & positions of the musicians within it, place large speakers in strategic positions for 13 separate points of origin of musical sound, altogether this constitutes a bona fide ‘Black Mass’ replete with ‘sacred geometry’.
So we have now seen how pop culture is filled with occult & masonic symbolism. The Illuminati symbolism apparent in Gaga’s stage & TV appearances is utterly blatant & is becoming so transparent that analyses almost become a simple statement of the obvious. Her whole persona, whether it is an act or not, is a tribute to mind control, freemasonry & the occult where being vacuous, compliant, incoherent & simply absent-minded is manipulated into being a ‘fashionable’, desirable state.
Incorporated in the videos, photos & shows of Lady Gaga & many other pop icons, is symbolism that refers explicitly to the Elite & to mind control. This symbolism is deep, esoteric & even pseudo-spiritual & whilst millions of young people imitate Gaga’s gestures, her act is part of a much bigger picture that includes many other ‘stars’ displaying & promoting the same overt symbolism. ‘Lady Gaga’ is in fact a fake persona, a manufactured Illuminati puppet, created to unduly influence the impressionable youth of today & to indoctrinate them into the insidious ways of the Elite. In this she is not alone, by far the vast majority of the mainstream music industry is also under their deceptive spell.
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By: Edward Morgan
Image(s): Getty
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